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OT - Show Me Your Guit'
All you guit-players out there - Show me your guitars, amps and accessories.
I'll get the ball rolling.......
Comments
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I don't play, but over the years have acquired a few. My favorite is the '67 Fender hollow body bass.
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Wish I had even an ounce of musical ability. Alas, none. Very jealous! Nice.
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Here’s a few of mine
In the bush just East of Cambridge,Ontario -
pgprescott said:Wish I had even an ounce of musical ability. Alas, none. Very jealous! Nice.
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Eoin said:pgprescott said:Wish I had even an ounce of musical ability. Alas, none. Very jealous! Nice.
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pgprescott said:Eoin said:pgprescott said:Wish I had even an ounce of musical ability. Alas, none. Very jealous! Nice.
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Eoin said:pgprescott said:Eoin said:pgprescott said:Wish I had even an ounce of musical ability. Alas, none. Very jealous! Nice.
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My 16-year-old daughter last spring at a local winery/restaurant singing a few songs she wrote. I watched in amazement because being able to do something like that -- especially at that age -- is almost beyond my comprehension. I think she has three different guitars; I don't try to keep track.
Rob
Columbus, Ohio
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I'm glad I checked before I posted.
Thought it said Show me your gutMt Elgin Ontario - just a Large. -
Homebrew Tele I built a few years ago. Have several other guitars, amps, pedals, etc. Seems like the older I get the less I'm into them.
"Get in my belly!" - Fat Bastard
LBGE - Kick Ash Basket, SS Smokeware Cap, CGS PSWoo-CI, Spider, Wok, Broil King Gasser
Noblesville, IN -
Gibson Jr. in white
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Very nice. I really like the White Falcon. Good looking guitar.
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epcotisbest said:Very nice. I really like the White Falcon. Good looking guitar.
The Gretsches have a very unique sound. -
Black beauty. Sweet!
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chuckytheegghead said:Black beauty. Sweet!
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It’s really nice, I have the poor mans version.
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chuckytheegghead said:It’s really nice, I have the poor mans version.
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MaC122 said:My Taylor 810
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BUMP
In 2009 I had the opportunity to take a class from a local Luthier who had studied with Masaki Sakurai in Japan, learning the traditional methods of building Kohno guitars. I choose to build a Sapele Mahogany Dreadnaught steel string model during the class, held every Saturday. I was one of four students building guitars with the help of two other Luthers so we could ask questions and get help fixing or hiding our mistakes. As a novice, I made a lot of mistakes since I only had rudimentary wood working skills from time spent in shop in high school many, many years ago.
Each Saturday, class moved thru the construction phases where we made the parts required, sanded, joined parts using hide glue, added truss rod, bracing, neck and frets and finally added the Cashew varnish to our completed guitars. We did not make the rosette or the binding for the top but we did cut the top to fit the rosette and route the top to add the binding. Then sanding, adding varnish, and polishing multiple layers until the guitar was completed. I added an L. R. Baggs dual source system with Element pickup and dual source mic. These are some of the photos taken at the time of the build.
I have two other guitars, one of which I have started restoration on but have put is aside for a bit.
Ubi panis, ibi patria.
Large - Roswell rig, MiniMax-PS Woo; Cocoa, Fl. -
Don't fret, I know its not a geetar.
But, my moneymaker for many decades:
You can tell how long it's been since I've played, the bow is overdue for a rehair.___________"When small men begin to cast big shadows, it means that the sun is about to set."
- Lin Yutang
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SamIAm2 said:
BUMP
In 2009 I had the opportunity to take a class from a local Luthier who had studied with Masaki Sakurai in Japan, learning the traditional methods of building Kohno guitars. I choose to build a Sapele Mahogany Dreadnaught steel string model during the class, held every Saturday. I was one of four students building guitars with the help of two other Luthers so we could ask questions and get help fixing or hiding our mistakes. As a novice, I made a lot of mistakes since I only had rudimentary wood working skills from time spent in shop in high school many, many years ago.
Each Saturday, class moved thru the construction phases where we made the parts required, sanded, joined parts using hide glue, added truss rod, bracing, neck and frets and finally added the Cashew varnish to our completed guitars. We did not make the rosette or the binding for the top but we did cut the top to fit the rosette and route the top to add the binding. Then sanding, adding varnish, and polishing multiple layers until the guitar was completed. I added an L. R. Baggs dual source system with Element pickup and dual source mic. These are some of the photos taken at the time of the build.
I have two other guitars, one of which I have started restoration on but have put is aside for a bit.
Back when I was in university, I was in contact with a local guitarist who had, at that time, built three beautiful steel strings under the tutelage of Sergei de Jonge, who is now based in Chelsea, Quebec, Canada. http://www.dejongelutherie.com/course.htmlSomething I’d always been interested in doing, should I ever have the extra time and money on hand. -
@Botch: How many instruments did you play and what styles of music?
While I’ve played enough gigs, I never made much money at it. Certainly not enough to fund all of my gear purchases! -
GrateEggspectations said:@Botch: How many instruments did you play and what styles of music?
While I’ve played enough gigs, I never made much money at it. Certainly not enough to fund all of my gear purchases!
I inherited my great-grandpa's fiddle in college, and learned to play along with my roommate, who played an Ovation acoustic. That kinda sucked me into country, and I played fiddle, harmonica, and pedal steel (badly, but you don't have to be fancy to add a lot to the music with pedal steel).
When I could finally afford a synth, I switched back to rock. Still played harmonica and fiddle (Orange Blossom Special goes over with any crowd).
My gigging paid for all my instruments, until the very end. I bought a new, pro-level tenor sax, practiced at home with it 2 years, then surprised my bandmates in Puddlestone one night by dragging it out. Sax part on Heart of Rock & Roll sounded SO much better on a real sax, rather than a synth patch! Band leader's wife got transferred four gigs later, so that was that.
With retirement, I'm starting to toy with the idea of showing up at jam sessions again, we'll see.___________"When small men begin to cast big shadows, it means that the sun is about to set."
- Lin Yutang
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@GrateEggspectations - That school looks like something you need to do soon! I did learn a lot about other, more hands on techniques, used in some shops instead of the factory CNC, assembly line methods used in major companies. From joining the top pieces and back pieces together with hide glue, sticks, wedges, and twine to Go bars to hold glued bracing in place to dry, radius sanding of the top and bottom, bending and joining sides.
This little detail was probably the best part of my build and I'm the only one who knows how much work this hidden bit required.
Keeping the edges sharp was a lot harder than I thought it should be.
Ubi panis, ibi patria.
Large - Roswell rig, MiniMax-PS Woo; Cocoa, Fl. -
@SamIAm2: That’s gorgeous. I am jelly.Spent a little time pickin’ the carbon fiber piece today. Am really loving this guy. Needs a little cleaning....
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@GrateEggspectations -What were you pickin' for the family? I see someone in the reflection of that carbon fiber so it isn't that dirty!Ubi panis, ibi patria.
Large - Roswell rig, MiniMax-PS Woo; Cocoa, Fl.
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